1. |
The Gate
17:20
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2. |
Queen of the Night
15:28
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3. |
I Had Hoped
21:41
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4. |
End
12:42
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Thaddaeus Australia
Thaddaeus tells stories of humans' failures to come to terms with their own selves. The songs are long, convoluted and often linked with each other in complex ways. It’s atmospheric funeral doom.
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supported by 8 fans who also own “The Gate (Re-Issue)”
This is an enchanting album that really transports us to the funereal and sentimental romanticism of the late 18th and 19th century through the excellent instrumental atmosphere, ethereal vocals, classical instruments and the unprecedented addition of distorted bass that replaces the guitars. The poetry of the lyrics is intense. Obsequies is highly recommended to all goth and doom lovers.
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supported by 7 fans who also own “The Gate (Re-Issue)”
The debut album was done masterfully and this record is no exception. A beautifully slow, cold and crushing deliverance.
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supported by 7 fans who also own “The Gate (Re-Issue)”
best album so far. even better than the wonderful debut.
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Vicious funeral doom from Portugal, “Ossadas” hammers away like a rain of comets, fiery & relentless.
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Joseph Hawker subverts the musical and sociopolitical status quo with a black metal triptych that's as incendiary as it is impressionistic.
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Oakland, CA quartet LYCUS return with a new album on Relapse Records. Heavy, epic, mournful, and replete with art by Paolo Girardi.
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supported by 7 fans who also own “The Gate (Re-Issue)”
NONE a opéré un virage dans Where Life Should Be et ça se confirme davantage dans Damp Chill of Life. Le temps des métaphores est révolu : l'humidité froide, c'est celle des larmes qui coulent sur le visage à cause de la dépression. Tout pleure dans cet album : les guitares typées DSBM grésillent, les solos ("The Damp Chill of Life", "It's Painless To Let Go") sont liquides et coulent, les voix prennent à la gorge ; même le piano, étranglé par les sanglots ("Cease"), est aphone. Insoutenable...
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